Posted in news on May 3, 2016 12:32 pm EDT

Community Space in San Francisco Reopens with A New Immersive Sound

San Francisco Museum of Modern Art partners with Meyer Sound to provide sound solutions throughout its transformed museum. The redesign centers around multiuse Phyllis Wattis Theater.

San Francisco Museum of Modern Art


 

ARCHITECTURAL NEWS

 
 

EDITOR PICKS

 
 
 

LATEST ISSUE

DIGITAL EDITION

 
 

NEWSLETTERS

 

Sign up for our bi-monthly newsletter Designer Today to stay up to date with all we do at Designer and with what's going on in the field of house of worship architecture.

 
 
  
          
 

print
TAGS: acoustics, architectural design, art, collaboration, community connection, museum, sound system, sustainability,

print

By Church Designer Staff

After a three-year expansion, the new San Francisco Museum of Modern Art (SFMOMA) opens on May 14, 2016, with nearly triple the gallery space, 45,000 square feet of free public access areas, and an unparalleled collection of modern and contemporary art on view.

A highlight of the collaboration is the redesigned Phyllis Wattis Theater, located at the heart of the museum where the original Mario Botta-designed building seamlessly integrates with the Snøhetta-designed 10-story addition. According to San Francisco-based EHDD, the architects tasked with the theater renovation, a Meyer Sound Constellation acoustic system was the ideal solution to complex architectural and acoustic challenges.

Together with state-of-the-art Meyer Sound cinema and reinforcement systems, Constellation supports a range of public events imagined for the Wattis Theater. In line with the museum’s goal of creating a versatile space, the 275-seat theater will host events ranging from film series, live music, and dance performances to educational lectures and panel discussions.

"Our cinema system is critical in offering an immersive experience to everyone, no matter where in the house they’re sitting. This is something we’ve never been able to offer to the full extent."

—Neal Benezra, Helen and Charles Schwab Director, SFMOMA

“We consulted with the designers and acousticians at Meyer Sound, who were able to create a Constellation system perfect for the space,” says Duncan Ballash, principal and president of EHDD. “Not only did Constellation ensure great acoustic results, but it gave the EHDD team the architectural freedom to design the room with a sleek and modern look, without sacrificing acoustical integrity. Ultimately, Constellation ended up inspiring and working integrally with the architectural design of the Wattis.”

Acoustics by design

Like all art, Constellation engages a listener’s imagination as it shapes a room’s acoustics. As the gold standard in active acoustic technology, Constellation gives the theater the sonic flexibility to provide optimal acoustics for any event by adjusting the room’s reverberation time and strength with the tap of an iPad. A D-Mitri digital audio platform provides the backbone for Constellation in the Wattis Theater, and hosts the patented VRAS acoustical algorithm. This works in conjunction with 24 distributed microphones and 93 small, self-powered loudspeakers discreetly mounted on the walls and ceiling.

The acclaimed art museum had to look no further than across the Bay for an innovative, global leader in sound. “As an institution, we pride ourselves on working with the very best—from artists to architects, curators to chefs,” says Neal Benezra, Helen and Charles Schwab director of SFMOMA. “We’re willing to look globally for the finest, but we were so pleased to find world-class sound solutions just across the Bay at Meyer Sound. This is a collaboration that can grow along with the museum into the future.”

With the fully equipped Wattis Theater in place, SFMOMA has primed itself to be a major film venue in the Bay Area by partnering with the San Francisco Film Society to present the film series "Modern Cinema," where a Meyer Sound cinema system will offer patrons a reportedly unparalleled cinematic experience.

“Our cinema system is critical in offering an immersive experience to everyone, no matter where in the house they’re sitting,” says Benezra. “This is something we’ve never been able to offer to the full extent.”  continued >>

 

1
2